Butterfly chairs : Designed by Eva & Niels Koppel

26 November - 23 December 2020
  • Butterfly chairs

    Designed by Eva & Niels Koppel, 1950
  • This group of ten « butterfly » chairs is an exceptional ensemble and the first set of this size to...

    Eva & Niels Koppel's Butterly chairs around a dining table designed by Ico Parisi in 1954. 

     
     

    This group of ten « butterfly » chairs is an exceptional ensemble and the first set of this size to ever appear on the market. 

     
     
  • Designed in the early 1950's, the chairs were manufactured by Møbelfabrikken Norden in Denmark. The name of the chairs comes from the shape of the back that gives them a unique and original aspect, as it resembles the wings of a butterfly. Beech was used to create the simple and elegant structures of the chairs. They have been recently reupholstered with bright white wool, creating a brilliant ensemble.

  • Exceptional set of ten Butterfly chairs, 1950 Beech and white wool fabric 90 x 58 x 53 cm - 35...
    Exceptional set of ten Butterfly chairs, 1950 Beech and white wool fabric 90 x 58 x 53 cm - 35...
    Exceptional set of ten Butterfly chairs, 1950 Beech and white wool fabric 90 x 58 x 53 cm - 35...
    Exceptional set of ten Butterfly chairs, 1950 Beech and white wool fabric 90 x 58 x 53 cm - 35...
    Exceptional set of ten Butterfly chairs, 1950
    Beech and white wool fabric
    90 x 58 x 53 cm - 35 x 23 x 21 in
    Manufactured by Møbelfabrikken Norden
  • Eva & Niels Koppel

    Eva & Niels Koppel

    Eva and Niels Koppel were a Danish architect couple whose work held a very important place in the history of 20th century Scandinavian design. They graduated from the School of Architecture of Copenhagen. At the beginning of their career, they worked in Finland at Alvar Aalto’s design studio. In 1946, they established their own studio back in their home in Denmark.

    During their active years, Eva and Niels earned a significant reputation, working on major architectural projects and designing wallpaper, light fixtures and furniture. In 1956, Niels Koppel was appointed Inspector of Royal Buildings. Their growing architectural firm was then commissioned with more substantial projects. At the end of the 1960’s, they formed KKE, which became one of Denmark’s largest architectural firms. Their typically simple design language, influenced by the brutalist forms, came to characterize post-war architecture in Denmark. 

  • EMERGENCE OF BRUTALISM IN DENMARK

    Two of Eva and Niels Koppel most important architectural achievements are located on the North Campus of the University of Copenhagen: the Hans Christian Ørsted building (1958-1964), that houses the Departments of Mathematics and Chemistry, and the Panum Institute (1971-1986) housing the Faculty of Health and Medical Sciences. The architecture of both buildings was greatly influenced by the Brutalist style that emerged in Great Britain in the 1950's. 

    • Hans Christian Ørsted building
      Hans Christian Ørsted building 1958-1964
    • Panum Institute
      Panum Institute 1971-1986
  • The Langelinie Pavilion

  • Reconstruction of a historic building

    In 1954, the Koppels won the competition for the reconstruction of the Langelinie Pavilion in Copenhagen. This was the third and last reconstruction of the edifice that was originally built in 1884. The second pavilion, built in the early 1900’s by architect Fritz Koch, was an impressive edifice with towers that became very popular with the bourgeoisie of Copenhagen and therefore, was blown up as retaliation for the Danish resistance movement’s activities in 1944.  

  • Eva and Niels Koppel‘s new radical pavilion presents a deeply rigorous and functional shape that clearly contrasts with the opulent...

    Eva and Niels Koppel‘s new radical pavilion presents a deeply rigorous and functional shape that clearly contrasts with the opulent architecture of the previous building. The new construction is composed of three box-like volumes showing inspiration from Bauhaus architect Ludwig Mies van der Rohe and the International style. The main floor, being larger and higher than the ground floor, appears to be floating as it is hovering over a road lane for pedestrians and car traffic. 

     

    The new pavilion was inaugurated in 1958 and was listed in the Danish registry of protected buildings and places by the Danish Heritage Agency in the early 2000's.

  • The modernist restaurant inside the building was illuminated with Poul Henningsen's Artichoke lamps, especially developed for this project. The original design of those pendant lamps gives them a sculptural presence even when turned off. Henningsen also designed the Copper Langelinie plate pendant lamp in 1958 for the same building. The shape was inspired by the pattern of the rings in the water surrounding the Pavilion.

  • Copyrights

    Portraits ©Lampist.dk ; Installation and chairs ©Gokelaere & Robinson, 2020 ; Panum building ©Photo- Dmitri Popov 2015 ; Langelinie Pavilion ©Langelinie Pavillonen, 2020