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Charlotte Perriand is one of 20th century’s most important designers. She brought a profound change in aesthetic values and introduced a truly modern sensitivity. Her innovative interior compositions still influence our lifestyle today.
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Nuage bookshelf, ca. 1960Sapelli, painted bent sheet steel and aluminium76 x 345 cm - 29 7/8 x 135 7/8 inManufactured by Steph Simon
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This remarkable bookshelf was designed by Charlotte Perriand in the early 1960’s when she was tasked with the interior design of the dwellings for the employees of the "Mauritanian Iron Mines Company" in Cansado. This bookshelf was conceived for the senior managers’ housing of the mine. A variation of previous models designed by Perriand, this bookshelf presents the minimalistic yet elegant features as well as the neutral colors characteristics of her work.
The simple composition gives a sense of lightness, hence the name « Nuage », or « Cloud » in English.
This Nuage bookshelf was manufactured in a small series by Steph Simon. According to the available documentation, only 62 were produced. This model was made in Sapeli, a tropical wood from West and Central Africa.
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"Bauche" armchair , 1946Ash and straw78 x 55 x 64 cm - 30 3/4 x 21 5/8 x 25 1/4 in"L’Equipement de la Maison" series, Grenoble
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This iconic armchair was specially created for La Maison du Jeune Homme, the French section of the Exposition Internationale held in Bruxelles in 1935. Perriand adapted the Fauteuil dossier basculant that she designed in 1928 with Le Corbusier and Pierre Jeanneret, using organic materials instead of tubular steel and metal. She wanted to show that traditional techniques could be applied to modern needs. The use of wood and straw brings a sense of warmth to geometric structure of the armchair, blending tradition and modernity.
From 1946 to 1951, the manufacture L’équipement de la maison in Grenoble collaborated with Charlotte Perriand and produced this armchair.
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"We will no longer follow formalism or constructivism, we will no longer favor the curve over the straight line, stone over cement, blue over red, wood over metal; instead we will apply each where it is most functional, both technically and physiologically"
- Charlotte Perriand in L'Architecture d'Aujourd'hui, 1935
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Table, ca. 1960Cherrywood70 x 199 x 86 cm - 27 1/2 x 78 3/8 x 33 7/8 inManufactured by Steph Simons
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A celebration of wood and craftsmanship, this table presents an overall robust and simple shape. However, some subtle features testify of Perriand’s delicate work and great sense of details. The massive table top is smoothened by its slightly curved edges. This top is also subtly enhanced by two length-long grooves, or « gorges », placed as a visual support to ensure that the placemats were perfectly aligned when setting the table. The powerful elliptical four legs are positioned at a 45-degree angle to avoid guests sitting at the end of the table to knock their knees.
This table is a perfect combination with the emblematic Rush chair, of which the rarest balck version is illustrated below.
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Charlotte Perriand
Past viewing_room