![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/c375faa93d24f35d6e1d3f56a5ced6ccj/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/0bf0283c09daf3c14f94b89b83cb803bj/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/7828d2272b79dff16bba299c1a81e0b4j/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/696e269ef056384afd9193f4906290faj/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/13028237f3f7dc1bb436da8856daeab6j/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
![George Nakashima, Conoid Bench, 1974](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/gokelaererobinson/images/view/f744b7874dcb3c1d4d69d4df05f3d75aj/gokelaere-robinson-george-nakashima-conoid-bench-1974.jpg)
George Nakashima USA, 1905-1990
Conoid Bench, 1974
American black walnut, hickory and rosewood
81 x 231 x 79 cm
31 7/8 x 91 x 31 1/8 in
31 7/8 x 91 x 31 1/8 in
Further images
Provenance
Vesley estate, New Jersey, USASigned with client’s name
Literature
George Nakashima, studio catalogue, unpaginated George Nakashima, The Soul of a Tree, pp. 164-165 (for an illustration of the form)
Mira Nakashima, Nature Form & Spirit, pp. 172-176 (for a discussion of The Conoid Line and illustrations of the form)
Derek Ostergard, George Nakashima Full Circle, pp. 156-157 (for an illustration and discussion of the form)